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Work

Drawing

Installation View

1

Ambivalent Tensions

[Installation View]

2026

2

Ghost Ways

[Work]

[Text]

2023

3

A Kafkaesque Being Savoring the Earth's Warmth I

[Installation View]

[Text]

2023

4

A Kafkaesque Being Savoring the Earth's Warmth II

[Work]

[Text]

2023

5

From the tips of my fingers, for all that

[Work]

2023

6

Untitled

[Installation View]

2022

7

Only the sweet fragrance shall return

[Drawing]

[Work]

2026

Drone against a blue sky

8

We are huddled together

[Drawing]

[Work]

2026

Grid

List

All

Work

Drawing

Installation View

1

Ambivalent Tensions

[Installation View]

2026

2

Ghost Ways

[Work]

[Text]

2023

3

A Kafkaesque Being Savoring the Earth's Warmth I

[Installation View]

[Text]

2023

4

A Kafkaesque Being Savoring the Earth's Warmth II

[Work]

[Text]

2023

5

From the tips of my fingers, for all that

[Work]

2023

6

Untitled

[Installation View]

2022

7

Only the sweet fragrance shall return

[Drawing]

[Work]

2026

Drone against a blue sky

8

We are huddled together

[Drawing]

[Work]

2026

Grid

List

All

Work

Drawing

Installation View

1

Ambivalent Tensions

[Installation View]

2026

2

Ghost Ways

[Work]

[Text]

2023

3

A Kafkaesque Being Savoring the Earth's Warmth I

[Installation View]

[Text]

2023

4

A Kafkaesque Being Savoring the Earth's Warmth II

[Work]

[Text]

2023

5

From the tips of my fingers, for all that

[Work]

2023

6

Untitled

[Installation View]

2022

7

Only the sweet fragrance shall return

[Drawing]

[Work]

2026

Drone against a blue sky

8

We are huddled together

[Drawing]

[Work]

2026

About

Jinseok Lee works with organic remnants — straw, gauze, worn clothing, earth — materials that have already passed through a body's time. Scraping, pressing, twisting, and reweaving these remnants, he works at the Critical Point between collapse and persistence: the threshold where matter holds what could not be spoken.